中国第一位书法教授魏天池作品赏析

Wei Tianchi was born in April 1936 in Dangshan County, Anhui Province. He graduated from the Chinese Department of Nanjing Normal University in July 1960. Since September 1960, he has been teaching calligraphy in the Fine Arts Department of Nanjing Normal University (now Nanjing Normal University). He was promoted to Professor of calligraphy in April 1986. He is the first professor of calligraphy in China. He successively learned from Mr. Shen Zishan and Mr. Lin Sanzhi. Calligraphy studies seal, Li, Cao, Kai, Xing, especially good at cursive, vigorous style, unrestrained, elegant and strange. He has participated in many national book exhibitions and foreign exchange exhibitions. He is now a senior professor and doctoral supervisor of calligraphy in Nanjing Normal University, a consultant of the 8th China Calligrapher Association, and a former chairman of Jiangsu Calligrapher Association. He won the lifelong achievement award of the 4th China calligraphy Lanting award in 2013

The chief editors include Yu Youren’s calligraphy collection, Jiangsu Ancient Calligraphy Research Series (three volumes), and the first chief editor, complete works of Chinese calligraphy, Volume 86. The achievements of calligraphy creation include “selected works of weitianchi calligraphy”; At the invitation of Japan, “famous Ink Exhibition of weitianchi” was held in Nagoya; Some calligraphy works have been selected in all previous national calligraphy and seal cutting exhibitions; He has been invited to provide works for international calligraphy exhibitions. While he was engaged in higher calligraphy education, he insisted on engaging in mass calligraphy activities for a long time

在中国书法热潮之前,从上世纪60年代末到70年代末,他先后在江苏、安徽、浙江、山东、河南、北京、湖南等省作了几十次书法讲座。20世纪80年代初,江苏省书法家协会、中国书法家协会相继成立后,他为书法事业做出了巨大的努力

花了一个多月的时间!78岁的父亲创作了100件书法作品,记录了一百年来的“重大事件”。

One calligraphy work, one era brand, and one hundred calligraphy works present a magnificent “chronicle of events” in the history of the party. Recently, Wang Jingzhang’s 78 year old father and dad in chagang community, guoguohu street, Wuchang District, created 100 calligraphy works reflecting the red theme of the party’s history in the past 100 years, which are popular among the residents

On May 10, when the reporter walked into Wang’s father’s house, he saw calligraphy works with the themes of “learning from Comrade Lei Feng”, “two bombs and one star”, “going to the mountains and the countryside” and “Jiao Yulu” arranged on the floor of the living room, by the railing and in the study

“From 1921 to 2021, every year’s year, important nodes, major party history events, key words, learning comprehension and other contents have been expressed in five kinds of fonts: official script, seal script, regular script, running script and cursive script. The context is clear and the content is detailed.” Wang said that he spent more than a month on this set of works

“The Fifth National Congress of the Communist Party of China was held in Wuhan, and the central supervisory committee, the first central supervisory organ in the history of the party, was elected at the meeting,” Wang told reporters as he walked

“Why is the key word of 2020″ the key lies in the party ” Wang’s father pointed to the theme work of 2020 and explained the deep meaning behind it. In the spring of 2020, the Jingchu epidemic broke out, and the party flag was flying high in the front line of the epidemic prevention and control struggle. “We won the epidemic prevention and control battle with one heart, and the great victory of the epidemic prevention and control struggle is the best proof.” He said

王大岱是湖北省政务局退休干部。2008年退休后,他开始学习书画。他对红色题材的书画特别感兴趣。汪洋说,从3月份开始,他早上4点起床,每天工作到晚上,创作以党史红色为主题的书法作品。这种坚持持续了40多天,直到5月初完成100件党史题材书法作品

徐维草的“永旺里晓”,欣赏书法的雄伟气势,使书法自由而自由。

徐渭(1521-1593)生于浙江绍兴。起初叫文清,后来改为文昌。名为青藤老人、青藤道士、天池生、天池山人、天池玉音、金磊、金惠山人、山阴布依、白义山人、峨眉山弄、天丹水、天水月。他是明代著名的戏剧家、画家和书法家。

徐渭是个多才多艺的人。他在诗歌、戏剧、书画方面独树一帜。他与谢晋、杨慎并称为明代第三才子。他是中国伟大水墨画派的创始人和常春藤画派的创始人。他的绘画能吸收过去的精华,在不求神灵相似的情况下重生。山水、人物、花鸟、竹石都做了。其中以花卉最为突出,创造了一代绘画风格,对后世画坛(如八大山人、石涛、扬州八怪等)影响很大。书法最擅长草书,曾写过不少诗词,被誉为明代才子。

徐渭书法与明初沉闷氛围的反差尤为突出。他最擅长华丽的草地,但普通人很难理解。他的钢笔乱糟糟的。他非常喜欢他的书法。他认为书法第一,诗歌第二,文学第三,绘画第四。

徐渭书法雄伟,重精神,不重形式。它不仅是解放思想的宣泄,更是忧郁郁闷情绪的表达。他擅长草书,对后世的影响似乎大于绘画。

傅善行草书“金恭四旗长篇”赏析

浮山《金工一会四条屏》中轴线为丝绸,尺寸201厘米×51.7厘米×4件。康熙二十三年1684年被山西晋祠收藏。

傅山的草书气势恢宏,飞扬,起伏自然,展现出勃勃生机的恢宏气势。草书的主轴往往波澜不惊,气势雄浑有力。

傅善书《金功四旗》的内容是傅善批判程朱理学的理想主义价值观。也就是说,宋明理学所倡导的“天道为唯,孝信为本”是骗人的,是统治阶级讲的一个大谎言。要破除理学迷信,反对封建传统道德。

这部作品是傅山晚年的杰作。它不仅代表了傅山的学术思想,而且代表了傅山书法的最高成就。它一直是书法学习者体验的杰作。

如何书写书法作品的付款?找一张图

2。一般来说,隶书不用篆书,楷书不用隶书,草书不用楷书。签字。一般来说,是古代风格、现代风格和普通风格。主体为甲骨文、青铜文、大小篆,篆书、章草、楷书、行书用以署名;主体为隶书、楷书、渭北、楷书、行书用以署名;实践中,行书是使用最广泛的字体,容易识别,生动。

第四条。不要贪心封印。最好是合适的。古代作品的印章大多不是自己制作的,而是流传开来的。密封件的数量必须小心。不要涵盖太多太多。

六。签名的年和月,公历和阴历不能混淆。如果你写标题的位置,你应该用优雅的名字而不是普通的名字“年”不写在阴历上。

“迎春节”沧州对联书法作品云展-星草书展

2021年,正值牛年来临之际,为活跃市民文化生活,营造欢乐祥和的节日氛围,增强人民群众的获得感和幸福感,展示我市广大书法家和书法家爱好者的创作力量,沧州市文联,沧州日报与沧州书法家协会联合举办了本次“迎新年”楹联书法网络展。

征集通知自今年1月4日发布以来,吸引了我市广大中老年书法家和书法家爱好者的积极参与,近一个月收到作品689件。经过评审委员会的严格评审,共有239件产品入选参展。

这些作品具有水墨韵味和创新精神,主题鲜明,内涵深刻,风格各异,别具匠心。他们表达了对国家和家园的无限热爱,对传统文化和现代文明的赞誉,对美和艺术的追求,对探索和进取的情怀,弘扬主旋律,增添正能量,集中展示我市书法创作者的文化底蕴和艺术风貌。