书法家刘思章,笔,龙,蛇,铁,银钩,铁画,银钩。

Liu Sizhang, male, born in western Guangdong, joined the army in 1978 and retired in 1981. After 1997, he went to Guangzhou to engage in English training industry, and founded Guangzhou Zhangbo Enterprise Consulting Co., Ltd. and zhangbo calligraphy art studio for more than ten years

He has loved calligraphy since childhood. Because of his love for calligraphy, he has visited many famous Chinese calligraphers, such as Chen Jinzhang (the old Dean of Guangmei), TAN Fang and Chen Jingdong, and Jin Yu, a famous calligrapher and painter studying in the United States. After years of hard work, his calligraphy has been greatly improved. His works have distinctive personality, high spirits, simple and fluent brushwork. In terms of creative practice and rich new theories, he is inclusive, bold and innovative, and carefully creates many excellent works with high artistic research value, which has aroused wide attention in the field of calligraphy and painting. Many works are welcomed and praised by people from all walks of life

In his calligraphy study, Liu Sizhang always adheres to the 16 character principle of “rooted in tradition, encouraging innovation, combining art and culture, and being diverse and inclusive”, explores new nutrition in inheritance, and seeks a new way in life. He believes that learning tradition is not only to extract its essence, but also to pave the way for self innovation. Only by making the past serve the present and setting up the present can the calligraphy art gain a new look and bring forth endless life. He also believes that life is the source of artistic creation, and calligraphy is the art of the masses and life. Although in modern society, pencils, pens, computer keyboards and so on have replaced the brush, and the practical function of calligraphy has weakened, the mass base of calligraphy is still very broad, and the aesthetic value of calligraphy art has become increasingly prominent, and its important position and role in public life has always been irreplaceable. He also actively participated in the theme of “going deep into life and taking root in the people”, constantly carried out calligraphy practice activities, improved the social service function of calligraphy, drew inspiration from the rich practice of the masses, sensed images from the diversity of nature, and launched more fine calligraphy art. As we all know, calligraphy is a unique traditional art in China, which has been appreciated and loved by people for thousands of years. As the famous aesthetician Zong Baihua said, “Chinese calligraphy is a rhythmic nature, expressing a deeper conception of the image of life and becoming an art reflecting life. Therefore, unlike the characters of other nationalities, Chinese calligraphy stays at the stage of being a symbol. Instead, it goes in the direction of artistic beauty and becomes a tool to express the national aesthetic feeling. ” Beautiful calligraphy can make the appreciator enjoy the beauty through the image and abstract lines, and can cultivate the personality and temperament of people. On the surface, the art of calligraphy is the shaping of the beauty of Chinese characters, but its spiritual connotation is the real display of Chinese cultural thought, aesthetic thought and artistic thought

Liu Sizhang’s calligraphy works are ancient but not mediocre, kitsch and affectation, showing a special expressive force and emotional tension everywhere, with a unique charm. In his creation, he freely interweaves ink, dots and lines, such as a magic pen, which is gorgeous but not vulgar, static in motion and dynamic in static. It’s really wonderful; The layout of the composition has both rhythm and profound meaning. There are poems in the paintings, pictures in the poems and poetic flavor. He believes that the art of writing Chinese characters embodies and carries the beauty of Chinese culture. The greatest advantage of calligraphy is the combination of literature and art. When he copied the inscriptions, he also studied some calligraphy theories and literature, such as the study of ancient Chinese characters, the rhyme of poetry, the study of inscriptions, stone carving and ink, predecessors’ Calligraphy Theories, historical evolution, chronology of calligraphy history, Calligraphers’ works, introduction to art, history of Chinese art, history of calligraphy culture, theoretical criticism and creation of calligraphy, as well as literature, aesthetics, philosophy, psychology, and moral cultivation. The more you learn, the more in-depth you will be, the higher your calligraphy attainments will be, the better your artistic quality will be, and the better your calligraphy works will be

Calligraphy is the carrier of Chinese excellent traditional culture. Learning calligraphy is also learning Chinese excellent traditional culture and learning how to be a man and do things. At a time when most people regard calligraphy as a profession and pay too much attention to its utility and artistry, Liu Sizhang rooted in tradition, adhered to integrity and innovation, and showed his literati demeanor

2020年,中国华夏万里书法家协会将与100名网络书法家共同获得“2020年当代书法家骄傲之星”称号

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